Early Civilizations and the Origins of Creativity: The Aegean in the Bronze Age


As children we generally grow up knowing something about ancient Greece, and especially about its Classical period (roughly the fifth century before the time of Christ). The art and architecture created during the time of Pericles have influenced the Western tradition ever since. But this florescence of creativity did not occur out of nowhere. Centuries before the arrival of the great poets, philosophers, and architects of the Classical era, the Aegean was already home to two influential cultures: the Minoans (whose origins are little understood to this day), and the Mycenaeans--the Bronze Age ancestors of the Greeks.

During this period, the late Bronze Age, some of the most enduring myths and legends arose: the story of the Trojan War, the tale of Theseus and the Minotaur (and of Daedalus the craftsman and his ill-fated son, Icarus), and innumerable mythic hero journeys. So compelling were the stories told by the poet Homer in his Iliad and Odyssey, that nineteenth-century archaeologists such as Heinrich Schliemann and Arthur Evans decided that, at least in some measure, they must be true. Their efforts uncovered the historic cities of Knossos, Mycenae, Pylos, Tiryns, and Troy. The vast and significant reach of the Minoan empire, and the catastrophic eruption of the volcanic island, Thera, may have inspired Plato's account of Atlantis--as part of his philosophical discussion of the ideal state.

Clearly this region, in this "moment" in history, deserves some investigation. In this segment of the class, therefore, we will explore the legacy of the earliest Greeks, and examine the evidence that archaeologists have uncovered over the last century.

Sites on the Mediterranean island of Crete have been occupied since around 5900 BCE; the earliest inhabitants probably came from somewhere in the Near East--perhaps from Egypt, or from southern Anatolia (Turkey). By 2800 BCE, the Cretans were influential in the Aegean and had already developed the characteristic beehive (tholos) tombs that remained in fashion for the next 1000 years. (These tombs, however, are not found intact on Crete itself; the best-preserved example is the so-called Treasury of Atreus near Mycenae, on the mainland.) The shapes of these tombs, with their long forecourts, may represent imitations of what had once been the shapes of houses, or of Egyptian tombs.

Although writing already existed in the Near East, no evidence of it exists on Crete before 2800 BCE. The earliest examples appear around 1900 BCE (when the first palaces were built), consisting of hieroglyphs or pictographs. Most of what remains of the earliest, Linear A, script appear to be administrative records, although the slightly later Linear B--which has been deciphered as Greek--may have been used for literature as well.

For our purposes, Minoan refers to the earlier non-Greek culture found on Crete and some neighboring islands in the Mediterranean. Mycenaean refers to the Greek culture typified by the architecture and archaeological remains found at mainland Greek sites such as Mycenae, Tiryns, and Pylos, as well as some Minoan sites on Crete later occupied by Greeks. Sir Arthur Evans coined the term "Minoan" to refer to the palace complexes he discovered on Crete (at Knossos and Phaistos, primarily) which he associated with the mythical King Minos. By Mycenaean times, according to legend, the palace at Knossos was occupied by the Mycenaean King, Idomeneus, who fought in the Trojan War on the side of the Greeks.

The devastating eruption of the volcanic island, Thera (or Santorini) in around 1628 BCE, appears to have damaged the palaces on Crete; Knossos and Phaistos were rebuilt, and a new palace, Zakros, begun. It now appears certain that mainland Greeks, known as the Mycenaeans, occupied Knossos by around 1450 BCE, but the nature of that occupation is obscure. The Mycenaeans seem to have adopted many of the trappings of Minoan culture, including the linear script used for keeping records. The Greeks transformed Minoan Linear A (still undeciphered) into Linear B (which was deciphered as an archaic form of Greek by Michael Ventris in 1952).

Throughout the Bronze Age, Crete participated in a lively trade with surrounding peoples; Minoan Crete may, in fact, have fostered the legend of Atlantis, because of its obvious wealth and power, and because of the respect it inspired in its neighbors. Egypt, which seldom acknowledged the greatness of any other nation, apparently admired the "Keftiu" as they called the Cretans, and pictured them in tomb paintings. Perhaps weakened by a series of devastating earthquakes, however, Crete succumbed to the more war-like influence of the mainland Mycenaeans at around 1450 BCE. By about a hundred years later, Knossos palace was all but abandoned; in another hundred years, the Greeks had perhaps fought and won the Trojan War, but were themselves defeated by invaders or pirates at around 1100 BCE. The burning of the Mycenaean site of Pylos in the Western Peloponnese, however, preserved a large number of Linear B tablets--thus ensuring the survival of at least a small record of Mycenaean life, and ultimately making the decipherment of Linear B possible.

Despite the fact that some interpretations of Minoan and Mycenaean evidence remain tenuous or controversial, one important lesson should be apparent: together, these two cultures created the basis for much of the subsequent development of Greece and the Classical world. The Greeks, for instance, never forgot the importance of writing; although the Linear B script itself was lost to them as a consequence of war, they soon (by around 1000) adapted and applied another syllabary (essentially Phoenician) to their needs. In doing so, they provided us with the first true alphabet, and the foundation for many of the alphabets in use today. In addition, the legends, myths, artistic traditions, and technologies that developed during the Aegean Bronze Age continue to influence us today.

Homer, Greek Myth, and the Aegean Bronze Age

The Minoan and Mycenaean ruins on mainland Greece and on Crete provide a helpful backdrop to studies of the Bronze Age and of the foundations of Classical Greece. Studying these cultures also helps us to understand how the combination of "fact" and "myth" can become difficult to separate in the histories of human cultures. One reason we will consider the Minoans and Mycenaeans (who are often ignored or glossed over in most history/humanities courses) is that their rich mythic and historical legacy has provided sources for uncountable human creative efforts over several millennia.

Both the Minoans and the Mycenaeans left written records, and both built extensive palace complexes with sophisticated amenities, such as bathrooms and water channels. Even after the Mycenaean Greeks had settled on Crete, many of the elements of Minoan culture (such as at least some of its myths and perhaps religious practices) survived or were adapted to Greek ways of life. The Mycenaeans learned the art of writing from the Minoans, using many Minoan characters to express Greek phrases (although the exact nature of Minoan language is still not understood). The Mycenaeans also followed the Minoan practice of inscribing catalogues and lists on clay.

Both groups tended to build their palaces in elevated places where they could command a view of the surrounding country and which could be fortified if necessary to afford protection from enemies. Nestor's palace at Pylos was a notable exception among Mycenaean sites; although situated on a hill, it was not fortified. The Cretan palaces were never fortified, which indicates that the Minoans may have enjoyed a relatively peaceful existence--at least until the Mycenaeans arrived.

The Mycenaeans, according to legend and some archaeological evidence, were the "Greeks" (or "Achaeans" or "Danaeans") referred to in stories about Troy and the Trojan War. Indeed, except for their languages, the Greeks and the Trojans were probably culturally quite similar; learning what we can about life in the Mycenaean world can thus help us to understand other Bronze Age cultures. Recent archaeological work has also produced compelling evidence that Plato's account of Atlantis in his dialogues, Timaeus and Critias, may reflect a cultural memory of the Minoan empire at its peak in the Bronze Age Aegean.

The chief literary source for Greek life in the Bronze Age is Homer who, in the Iliad and the Odyssey, compiled and wrote down numerous legendary accounts of events that may have occurred more than 500 years before his time. Homer composed his poems in Greek, using the newly adapted alphabet borrowed from the Phoenicians. The Greeks rediscovered writing during the Archaic period (roughly the 9th through 7th centuries BCE). Later poets such as Hesiod, as well as the great Athenian tragedians--Sophocles, Euripides, and Aeschylus--offered variant versions of mythical events, as did even later writers like Ovid and Apollodorus.

Despite its ultimate demise and long absence from historical records, Bronze Age Aegean civilization bequeathed to Western culture a wealth of stories, poems, and plays. The mythical king Minos and his efforts to conceal his wife's peculiar infidelity, for example, fostered the tales of the Minotaur, the flight of Daedalus and Icarus, and the escapades of Theseus. The extent of Crete's influence on the Aegean and into Egypt and other parts of the Near East may have influenced Plato to create the city-state of Atlantis to balance his portrayal of Athens as an ideal state in his dialogues, Critias and Timaeus. The catastrophic eruption of Thera and the subsequent destruction of its Minoan-influenced culture may account for its association with Atlantis in the nineteenth century. The myths that inform the Trojan War stories may well reflect a complex and compelling but half-hidden history of the Aegean peoples who preceded the Classical Greeks. Belief in these stories is what drove early explorer-archaeologists such as Sir Arthur Evans and Heinrich Schliemann to discover the sites that inspired that belief--another instance of the interdependence between storytelling and history.

To help students sort out events and peoples involved in our discussions of this period, I've constructed a chart on the Chronology of the Aegean Bronze Age. It's as up to date as I can make it, but interpretations often change when new evidence is uncovered.

The following books, available in the Kelley Library, might also be useful, both for images and for information.

Dickinson, Oliver. The Aegean Bronze Age, from the Cambridge World Archaeology series. DF 220 .D49 1994

Farnaux, Alexandre. Knossos: Searching for the Legendary Palace of King Minos. This book contains an account of the excavations at the main Minoan site, along with photographs and maps. DF 212 .E82 F37 1996

Friedrich, Walter. Fire in the Sea: The Santorini Volcano: Natural History and the Legend of Atlantis. This book covers the science of the Santorini/Thera eruption, and its cultural and historical consequences. It also contains good charts and maps to educate the non-scientist. QE 523 .S27 F65 2000

MacGillivray, Joseph A. Minotaur: Sir Arthur Evans and the Archaeology of the Minoan Myth. Many archaeologists are interesting subjects in themselves, and Evans is one of the most colorful. He wasn't quite Indiana Jones, but worth reading about. DF 212 .E82 M33 2000

Roth, Hal. We Followed Odysseus. Roth and his wife sailed around the Mediterranean, Homer's Odyssey in hand, in an attempt to retrace the voyage of the legendary war hero. This book includes pictures and an account of the journey. PA 41670 .R69 1999

Time Life Books. Wondrous Realms of the Aegean. This is a little out of date, but contains nice pictures and some of the reconstruction drawings from the original excavations of important sites like Knossos, Mycenae, and Pylos. DF 220 .W66 1993

The main literary texts for this period are, of course, Homer's Iliad and Odyssey. I highly recommend the very readable translations by Robert Fagles:

The Iliad PA 4025 .A2 F33 1998

The Odyssey PA 4025 .A5 F34 1996

Videos on this period are also available, but they're generally out of date and far less skeptical about bad science than I would like. The sidebar contains useful websites that

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Further Resources


I became fascinated by pre-Classical Greece at an early age, and then went on to major in the period in college. These links cover the broad range of topics we will discuss in class.

For an overview of the Mediterranean region in the Bronze Age, see my newly-revised Aegean Bronze Age Chronology.

Crete and the Minoans

Palace of Minos at Knossos: al Greek page on the site of Knossos

Minoan Crete

World Civilizations: The Minoans

Knossos
: the official Greek government page.

A page on Aegean Art by Dr. Rozmare Basic at the University of Oklahoma

And a page on Bull Leaping at Knossos

Thera (Santorini) and the "myth" of Atlantis

There is more garbage on the internet about this topic per square inch than about anything else. Here are a couple of reliable essays and links.

Truth, Lies and History in Plato's Timaeus-Critias, by Thomas K. Johansen (University of Bristol/Center for Hellenic Studies)

Atlantis: No way, No How. No Where by Kevin Christopher for the online newsletter of the Committee for the Scientific Investigation of Claims of the Paranormal (CSICOP). Don't get me wrong; I'm not saying we can't have fun with Atlantis (I love Stargate:SG1 and am ok with Stargate:Atlantis, despite the fact that the stories hang on the coattails of the "Our Ancestors Were Dummies" notion), but the bottom line is this: Plato made it up.

Wikipedia's article on Atlantis provides a history of the development of the "legend."

A location for "Atlantis"? by Rainer W. Kühne notes a connection with the invasions of the "Sea Peoples" at the end of the Bronze Age. This seems to support the idea that Plato combined a number of historical events to create his dialogue, and there is no reason to contend that a single, factual event was "recorded" in the dialogue.

Why did Plato destroy Athens along with Atlantis? The reply to this question was written by Bernard Suzanne on his website, Plato and His Dialogues, where you can find a nice biography of the philosopher.

Photo reproductions of the Thera frescoes

Akrotiri of Thera

The Bronze Age Eruption of Thera and Lost Atlantis (PDF) This page is somewhat technical (it's from the Geology department at the University of Arizona), but interesting and well-grounded (ahem--geology . . . ground . . . sorry). The author isn't listed, but it's connected with a workshop on earthquakes and volcanoes.

Myths of Crete: Theseus and the Minotaur
Daedalus and Icarus

Ovid, Aegeus, and Theseus (Metamorphoses Bk.7)

Sir Samuel Garth, John Dryden, etc., translation of Metamorphoses, Book 8 (the Daedalus & Icarus story is the third one from the top; but read the Labyrinth part first--second from top)

"Myth Man's" Theseus page This guy is hilarious; he's apparently a Greek restaurateur with a weird sense of design and a lot of time on his hands. His "Homework Help Center" has links and info on all kinds of Greek gods, heroes, and history. You'll have to locate the "Homework Help" page, then look for the Greek Heroes section and finally Theseus, but it'll be worth the trouble. See also his Icarus and Daedalus page (include Thomas Bulfinch's version of the text and lots of images)

Wolhee Choe, "The Fall of Icarus and Re-imagining Technology" (a rather long but interesting essay on the metaphorical and philosophical value of the myth)

The Labyrinth

A Brief History of Mazes: brief, but infomrmative.

Although the labyrinth apparently originated on Crete, the labyrinth as a metaphor has taken on a life of its own, and shows up into the modern day.

The Kelley Library now has at least one book about the history of the labyrinth concept.

Homer, Troy, Mycenae, and the Trojan War

Homer, Iliad and Odyssey

Iliad study guide

Homer's Odyssey

Legends of The Trojan War This comes from the home page of Prof. Ian Johnston, who writes on a number of topics, many of which have to do with ancient Greece in general, and the various texts that deal with the Trojan War in particular. See especially his essays on the Iliad.

Prof. Diane Thompson has written a book on the Trojan War, and teaches a course on it; her Troy Web, is a nicely designed and very informative course page.

Project Troia: a good German site (in English) on recent excavations at Troy.

Mycenae The Greek government sponsors several information pages on sites we discuss in this class. The site has recently been jazzed up, but has lost some of its images. It also seems to be under construction, but the basic information is useful.

Here is an excellent website with a catalogue of panoramic photographs of various sites in Greece: Metis--by Bruce Hartzler, which includes a page on Nestor's Palace at Pylos (where the cache of Linear B tablets was found). Hartzler also has two separate pages on Minoan and Mycenaean images, including maps and site plans.

General sites on Bronze Age Aegean archaeology

The Interactive Ancient Mediterranean The University of North Carolina at Chapel Hill sponsors this ancient atlas database.

Prehistoric Archaeology of the Aegean This is the premier site on the Aegean Bronze Age, and contains the most up-to-date information available. It was developed by Jeremy Rutter, chair of the Classics department at Dartmouth.

Classics and Mediterranean Archaeology Home Page This site is becoming searchable as we speak, but its main value lies in its extensive links, including sources of images.

The Broader Ancient Mediterranean consists of a comprehensive list of links from Bucknell University's Classics department.

The Bronze Age is part of a larger site on Prof. David Fredrick's Greek & Roman myth course at the University of Arkansas. This page features lots of nice big images, a link to decent maps, and some information. Click on the little calculator's "main" button to get to the home page, or click here to get to a bigger calculator. Other topics include the Iliad, Odyssey, Homer, Hesiod, etc.