As
children we generally grow up knowing something about ancient
Greece, and especially about its Classical period (roughly the
fifth century before the time of Christ). The art and architecture
created during the time of Pericles have influenced the Western
tradition ever since. But this florescence of creativity did
not occur out of nowhere. Centuries before the arrival of the
great poets, philosophers, and architects of the Classical era,
the Aegean was already home to two influential cultures: the
Minoans (whose origins are little understood to this day), and
the Mycenaeans--the Bronze Age ancestors of the Greeks.
During
this period, the late Bronze Age, some of the most enduring
myths and legends arose: the story of the Trojan War, the tale
of Theseus and the Minotaur (and of Daedalus the craftsman and
his ill-fated son, Icarus), and innumerable mythic hero journeys.
So compelling were the stories told by the poet Homer in his
Iliad and Odyssey, that nineteenth-century archaeologists such
as Heinrich Schliemann and Arthur Evans decided that, at least
in some measure, they must be true. Their efforts uncovered
the historic cities of Knossos, Mycenae, Pylos, Tiryns, and
Troy. The vast and significant reach of the Minoan empire, and
the catastrophic eruption of the volcanic island, Thera, may
have inspired Plato's account of Atlantis--as part of his philosophical
discussion of the ideal state.
Clearly
this region, in this "moment" in history, deserves
some investigation. In this segment of the class, therefore,
we will explore the legacy of the earliest Greeks, and examine
the evidence that archaeologists have uncovered over the last
century.

Sites
on the Mediterranean island of Crete have been occupied since
around 5900 BCE; the earliest inhabitants probably came from
somewhere in the Near East--perhaps from Egypt, or from southern
Anatolia (Turkey). By 2800 BCE, the Cretans were influential
in the Aegean and had already developed the characteristic beehive
(tholos) tombs that remained in fashion for the next
1000 years. (These tombs, however, are not found intact on Crete
itself; the best-preserved example is the so-called Treasury
of Atreus near Mycenae, on the mainland.) The shapes of these
tombs, with their long forecourts, may represent imitations
of what had once been the shapes of houses, or of Egyptian tombs.
Although writing already existed in the Near East, no evidence
of it exists on Crete before 2800 BCE. The earliest examples
appear around 1900 BCE (when the first palaces were built),
consisting of hieroglyphs or pictographs. Most of what remains
of the earliest, Linear
A, script appear to be administrative records, although
the slightly later Linear
B--which has been deciphered as Greek--may have been
used for literature as well.
For our purposes, Minoan
refers to the earlier non-Greek culture found on Crete and some
neighboring islands in the Mediterranean. Mycenaean
refers to the Greek culture typified by the architecture and
archaeological remains found at mainland Greek sites such as
Mycenae,
Tiryns,
and Pylos,
as well as some Minoan sites on Crete later occupied by Greeks.
Sir Arthur Evans coined the term "Minoan" to refer
to the palace complexes he discovered on Crete (at Knossos
and Phaistos,
primarily) which he associated with the mythical King
Minos. By Mycenaean times, according to legend, the
palace at Knossos was occupied by the Mycenaean King, Idomeneus,
who fought in the Trojan War on the side of the Greeks.
The devastating eruption of the volcanic island, Thera
(or Santorini) in around
1628 BCE, appears to have damaged the palaces on Crete; Knossos
and Phaistos were rebuilt, and a new palace, Zakros,
begun. It now appears certain that mainland Greeks, known as
the Mycenaeans, occupied Knossos by around 1450 BCE, but the
nature of that occupation is obscure. The Mycenaeans seem to
have adopted many of the trappings of Minoan culture, including
the linear script used for keeping records. The Greeks transformed
Minoan Linear A (still undeciphered)
into Linear B (which was
deciphered as an archaic form of Greek by Michael
Ventris in 1952).
Throughout the Bronze Age, Crete participated in a lively trade
with surrounding peoples; Minoan Crete may, in fact, have fostered
the legend of Atlantis, because of its obvious wealth and power,
and because of the respect it inspired in its neighbors. Egypt,
which seldom acknowledged the greatness of any other nation,
apparently admired the "Keftiu"
as they called the Cretans, and pictured them in tomb paintings.
Perhaps weakened by a series of devastating earthquakes, however,
Crete succumbed to the more war-like influence of the mainland
Mycenaeans at around 1450 BCE. By about a hundred years later,
Knossos palace was all but abandoned; in another hundred years,
the Greeks had perhaps fought and won the Trojan War, but were
themselves defeated by invaders or pirates at around 1100 BCE.
The burning of the Mycenaean site of Pylos in the Western Peloponnese,
however, preserved a large number of Linear B tablets--thus
ensuring the survival of at least a small record of Mycenaean
life, and ultimately making the decipherment of Linear B possible.
Despite
the fact that some interpretations of Minoan and Mycenaean evidence
remain tenuous or controversial, one important lesson should
be apparent: together, these two cultures created the basis
for much of the subsequent development of Greece and the Classical
world. The Greeks, for instance, never forgot the importance
of writing; although the Linear B script itself was lost to
them as a consequence of war, they soon (by around 1000) adapted
and applied another syllabary (essentially Phoenician) to their
needs. In doing so, they provided us with the first true alphabet,
and the foundation for many of the alphabets in use today. In
addition, the legends, myths, artistic traditions, and technologies
that developed during the Aegean Bronze Age continue to influence
us today.
Homer,
Greek Myth, and the Aegean Bronze Age
The
Minoan and Mycenaean ruins on mainland Greece and on Crete provide
a helpful backdrop to studies of the Bronze Age and of the foundations
of Classical Greece. Studying these cultures also helps us to
understand how the combination of "fact" and "myth"
can become difficult to separate in the histories of human cultures.
One reason we will consider the Minoans and Mycenaeans (who
are often ignored or glossed over in most history/humanities
courses) is that their rich mythic and historical legacy has
provided sources for uncountable human creative efforts over
several millennia.
Both the Minoans and the Mycenaeans left written records, and
both built extensive palace complexes with sophisticated amenities,
such as bathrooms and water channels. Even after the Mycenaean
Greeks had settled on Crete, many of the elements of Minoan
culture (such as at least some of its myths and perhaps religious
practices) survived or were adapted to Greek ways of life. The
Mycenaeans learned the art of writing from the Minoans, using
many Minoan characters to express Greek phrases (although the
exact nature of Minoan language is still not understood). The
Mycenaeans also followed the Minoan practice of inscribing catalogues
and lists on clay.
Both groups tended to build their palaces in elevated places
where they could command a view of the surrounding country and
which could be fortified if necessary to afford protection from
enemies. Nestor's
palace at Pylos was a notable exception among Mycenaean sites;
although situated on a hill, it was not fortified. The Cretan
palaces were never fortified, which indicates that the Minoans
may have enjoyed a relatively peaceful existence--at least until
the Mycenaeans arrived.
The Mycenaeans, according to legend and some archaeological
evidence, were the "Greeks" (or "Achaeans"
or "Danaeans")
referred to in stories about Troy
and the Trojan
War. Indeed, except for their languages, the Greeks
and the Trojans were probably culturally quite similar; learning
what we can about life in the Mycenaean world can thus help
us to understand other Bronze Age cultures. Recent archaeological
work has also produced compelling evidence that Plato's
account of Atlantis in his
dialogues, Timaeus
and Critias,
may reflect a cultural memory of the Minoan empire at its peak
in the Bronze Age Aegean.
The chief literary source for Greek life in the Bronze Age is
Homer
who, in the Iliad and the Odyssey,
compiled and wrote down numerous legendary accounts of events
that may have occurred more than 500 years before his time.
Homer composed his poems in Greek, using the newly adapted alphabet
borrowed from the Phoenicians. The Greeks rediscovered writing
during the Archaic period
(roughly the 9th through 7th centuries BCE). Later poets such
as Hesiod,
as well as the great Athenian
tragedians--Sophocles,
Euripides,
and Aeschylus--offered
variant versions of mythical events, as did even later writers
like Ovid
and Apollodorus.
Despite its ultimate demise and long absence from historical
records, Bronze Age Aegean civilization bequeathed to Western
culture a wealth of stories, poems, and plays. The mythical
king Minos and his efforts to conceal his wife's peculiar infidelity,
for example, fostered the tales of the Minotaur,
the flight of Daedalus
and Icarus, and the escapades of Theseus.
The extent of Crete's influence on the Aegean and into Egypt
and other parts of the Near
East may have influenced Plato to create the city-state
of Atlantis
to balance his portrayal of Athens as an ideal state in his
dialogues, Critias and Timaeus. The catastrophic
eruption of Thera
and the subsequent destruction of its Minoan-influenced culture
may account for its association with Atlantis in the nineteenth
century. The myths that inform the Trojan
War stories may well reflect a complex and compelling
but half-hidden history of the Aegean peoples who preceded the
Classical Greeks. Belief in these stories is what drove early
explorer-archaeologists such as Sir Arthur Evans and Heinrich
Schliemann to discover the sites that inspired that belief--another
instance of the interdependence between storytelling and history.
To
help students sort out events and peoples involved in our discussions
of this period, I've constructed a chart on the Chronology
of the Aegean Bronze Age. It's as up to date as I can
make it, but interpretations often change when new evidence
is uncovered.
The
following books, available in the Kelley Library, might also
be useful, both for images and for information.
Dickinson,
Oliver. The Aegean Bronze Age, from the Cambridge World
Archaeology series. DF 220 .D49 1994
Farnaux,
Alexandre. Knossos: Searching for the Legendary Palace of
King Minos. This book contains an account of the excavations
at the main Minoan site, along with photographs and maps. DF
212 .E82 F37 1996
Friedrich,
Walter. Fire in the Sea: The Santorini Volcano: Natural
History and the Legend of Atlantis. This book covers the
science of the Santorini/Thera eruption, and its cultural and
historical consequences. It also contains good charts and maps
to educate the non-scientist. QE 523 .S27 F65 2000
MacGillivray,
Joseph A. Minotaur: Sir Arthur Evans and the Archaeology
of the Minoan Myth. Many archaeologists are interesting
subjects in themselves, and Evans is one of the most colorful.
He wasn't quite Indiana Jones, but worth reading about. DF 212
.E82 M33 2000
Roth,
Hal. We Followed Odysseus. Roth and his wife sailed
around the Mediterranean, Homer's Odyssey in hand,
in an attempt to retrace the voyage of the legendary war hero.
This book includes pictures and an account of the journey. PA
41670 .R69 1999
Time
Life Books. Wondrous Realms of the Aegean. This is
a little out of date, but contains nice pictures and some of
the reconstruction drawings from the original excavations of
important sites like Knossos, Mycenae, and Pylos. DF 220 .W66
1993
The
main literary texts for this period are, of course, Homer's
Iliad and Odyssey. I highly recommend the
very readable translations by Robert Fagles: