Week 2: Realism, Impressionism, and the Impact of the Camera


Update complete 07.17.10

Heilbrunn Timeline of Art History thematic essays from the Met (TOAH)
Impressionism: Art and Modernity; Orientalism in Nineteenth Century Art; Orientalism: Views of the East in Western Dress; American Impressionism; Photography and the Civil War; The Print in the Nineteenth Century; Lithography in the Nineteenth Century; Americans in Paris: 1860-1900; Women Artists in Nineteenth-century France; Nineteenth-century French Realism

Bolded images are those for which you are responsible on the exam (i.e. included on the print slide list).

Realism

Gustave Courbet, Burial at Ornans, 1849 (PBS Culture Shock page on this painting)

The Fox in the Snow (owned by the Dallas Museum of Art) 1860

See link to new Met exhibit at right.

Edouard Manet, Luncheon on the Grass (Dejeuner sur l'herbe), 1863 Warning: the link is to a page called "Hooker Heroes" which features a biography of Manet's model. CGFA has a good scan of the image without the commentary.

Olympia 1863. Here is a juxtaposition of Olympia with her predecessors, and Alexandré Cabanel's Birth of Venus from 1863. See also the PBS Culture Shock page on Olympia.

Winslow Homer, Veteran in a New Field, 1865. Both links are to the Met, including a thematic essay on Homer.

Timothy O'Sullivan, Harvest of Death, 1863. Although we'll consider photography later in the lecture, the stark realism of the new field of war photography shows rather graphically how new technologies can help to change our perceptions about world events. For more information on Civil War Photography, see the linked page from the Library of Congress.

Impressionism

Precursor

Joseph Mallord William Turner, The Burning of the Houses of Parliament, 1834

Sun Setting Over A Lake, 1840

Scarlet Sunset, ca. 1830-40 (not on your list, but compare this with Monet's Impression, Sunrise, below.)

Please take some time to see the Turner exhibit at the Met (it was at the DMA last year). The National Gallery of Art's materials on this exhibit are here. Check their audiovisual materials for the film. Remember that Turner, properly speaking, was a Romantic; but his experiments with light and color laid the ground for Impressionism, and my showing these images serves to remind us of his import.

Impressionism in France

For a good introduction to Impressionism and the public response to it, see Mark Harden's very helpful pages from the Artchive: The First Impressionist Exhibition, 1874, and check out Color in Art for further information on optics and color in modern painting.

Pierre-Auguste Renoir Sr. Wendy Beckett's article on Renoir is available through the Artchive.

Odalisque (Femme d'Algier) 1870

Luncheon of The Boating Party, 1881. A "zoomable" version is available at the Houston MFA site here.

An even earlier painting, La Grenouillere (1869) reflects one of Renoir's "conversations" with Monet.

Claude Monet, La Grenouillere, 1869

Dejeuner sur l'herbe, 1865-66. Compare this with Manet's version. The "model" for the male on the left is Courbet.

Impression: Sunrise,1873 (This is the painting that gave the movement its name. See also this Web Exhibit on the painting, with information on how the Impressionists used color,

Water Lilies 1908; see more of Monet's Water Lilies at the Webmuseum page.

Edgar Degas, Rehearsal of the Ballet Onstage 1874. See also the Webmuseum page on Degas' Ballet Dancers, and the Artchive page on Degas, with an essay by Robert Hughes.

Absinthe 1876. The Tate Gallery's exhibit on Degas and some of his contemporaries features some reviews of the painting that provide context. See L'Absinthe in Focus.

Little Dancer of 14 Years 1880-82 (this is the National Gallery of Art's cast of the original).

Impressionsim afforded many women a chance to exercise their creativity, perhaps because it didn't require as much time in the studio. There's probably an article on this somewhere, and I'll post it if I find it. At any rate, Morisot is the best known of the women in the movement. Many American women also gained recognition--some of these (including Mary Cassatt) are listed in the section below on American Impressionists. See also Wet Canvas's page on Morisot, and the National Gallery of Art's collection (good images, but not much information).
American Impressionists working in France

John Leslie Breck

The series, Studies of an Autumn Day (1891) can be accessed through the above link in the online collection of the Terra Foundation (there are five pages). The Studies are on pp. 3 through 5.

Grainstack, Giverny, 1891

Morning Fog and Sun, 1892 (On p. 5 at the Terra link.)

For examples of how Claude Monet painted these grainstacks, see this page at the WebMuseum. Here's Monet's Wheatstacks (End of Summer) 1890-91

For more American Impressionists, see the National Gallery of Art's online exhibit.

Frederick Frieseke (Terra Museum)

Teatime in a Giverny Garden (aka Breakfast in the Garden) c. 1911

Mrs. Frieseke at the Kitchen Window, 1912 (this is at the Terra page on Frieseke, linked above--as are the other images listed).

Some of the above images are from Carol Gerten-Jackson's CGFA: A Virtual Art Gallery. There are many more Frieseke images on the site, as well as on the Terra foundation page. The link is to her index of artists.

Mary Stevenson Cassatt (TOAH); see also the Cassatt page on the Terra Foundation site.

The Bath c. 1891 (oil on canvas)

The Bath c. 1891 (drypoint & aquatint on paper)

Maternal Caress 1891 (drypoint & aquatint on paper)

The Caress 1891 (pastel on paper)

La Tasse de Thé (The Cup of Tea) 1897 (linked on Terra page)

Edgar Degas, Portrait of Mary Cassatt, 1880-84

Lilla Cabot Perry (the link is to the Terra Museum's page on Perry, with thumbnail links to the paintings they own.

The Cup of Tea c. 1900

Mt. Fuji with Gravestones (link is to the Fogg Museum page on Perry) c. 1898-1901. If the image comes up as an error, go to the Harvard Museums' main page, type "Perry" in the search box, and go to p. 7.

Claude Monet and Mr. Perry at Giverny (photograph) is no longer available online; The Smithsonian in Washington has the following photo by Perryl: Bridge in Giverny (1899), which pictures the bridge in Monet's garden.

Henry Ossawa Tanner. For more information on Tanner, see this essay: "Henry Ossawa Tanner and His Influence in America" from the Traditional Fine Arts Organization of Arizona.

The Banjo Lesson 1893

The Annunciation 1898

The Seine 1902

Be sure to see Tanner's Christ and His Mother Studying the Scriptures,1910, at the DMA. (Type "Tanner" into the search window if the wrong image comes up.)

Photography

Thomas Moran and William Henry Jackson in Yellowstone

As I mentioned last week, the recent airing of Ken Burns's new video series, The National Parks: America's Best Idea reminded me of the role artist Thomas Moran (of the Hudson River School) and photographer William Henry Jackson played in the selling of the idea of Yellowstone National Park to Congress. Here are a couple of websites devoted to their work:

American Visionaries: Thomas Moran, from the National Park Service. The site also features a segment on Jackson. Be sure to visit the image galleries for watercolors by Moran and related photographs by Jackson.

Thomas Moran, The Complete Works

The Buffalo Bill Historical Center features a page on William Henry Jackson, Pioneer Photographer of Yellowstone, with some lovely stereopticon images.

I moved the entry on Carlton Watkins (1829-1916) to this section, because he was an early photographer of Yosemite park. See especially The North Dome, Yosemite, 1866, and visit Yosemite History: Carleton E. Watkins, photographer, for more Yosemite photos.

Photography: A Brief History (sorry for the formatting problems below; I'll fix them later.)

Joseph Nicéphore Niépce View from the Window at Le Gras (reproduction based on a 1952 print. The link is to a lengthy article on the photo and later attempts to print it.)

Louis Jacques Daguerre (1787-1851). The Daguerrian Society.

Unknown. Daguerreotype of an Odalisque, c. 1840s (Thanks to Amanda Henson for locating this.)

William Henry Fox Talbot (1800-1877) The link is to the Met Timeline essay.
Nadar (Gaspard Félix Tournachon); see also the TOAH page on Nadar.

Anna Atkins (1799-1871) biography from the Getty Museum.

Laminaria Saccharina (a large-scale, good-quality example of Atkins' s work)

Equisetum sylvaticum 1853

Mike Ware's Alternative Photography: The New Cyanotype Process (not recommended for people with no understanding at all of chemistry). My original link has gone away, but this one provides a good history of the process.

Something cool I found whilst squirreling through blogs: an embroidery based (roughly) on work by Anna Atkins from Jessica Polka's Wunderkammer blog. Also, ask me about Christine Porter's final design project for Summer 2009, based on Atkins's work.

Alfred, Lord Tennyson, 1867 (scroll down on page)

The Passion Flower at the Gate, n.d. is no longer available on the BMFA website; good examples of her illustrative photographs are available on the Getty link, above.

Oscar Rejlander (1813-1875). For a non-Wikipedia biography, see Robert Leggat's History of Photography. For other sources on Rejlander's work, see the Eastman House collection of Rejlander photographs and Rejlander photographs from Masters of Albumen Printing. For an interesting look at the history of photomontage, see Cut and Paste. Wikipedia's page is also pretty thorough.

Eadweard Muybridge (1830-1904). See also Freeze Frame: Eadweard Muybridge's Photography of Motion (from the National Museum of American History).

 

Additional Resources


Art of the Western World
through the Annenberg CPB Project. See the episode on A Fresh View, an hour-long video (also available in the Kelley Library); the first half hour focuses on Impressionism.

Special Exhibit at the Met:
Americans in Paris: 1860-1900
This exhibit features many of the American Impressionists I talk about in this lecture, and both artists and paintings Robert Hughes discusses in American Visions: The Gilded Age. All of the works on view can be accessed in the gallery.

Also, new at the Met: Gustave Courbet

At the National Gallery of Art, there's an appropriate new exhibit: Paris In Transition: Photographs from the National Gallery of Art with a link to other photographs in the permanent collection.

Even newer: the Met's summer 2007 exhibit, Impressionist and Early Modern Paintings: The Clark Brothers Collect features works by Realists, Impressionists, Post-impressionists, and other examplars of modern painting.

Realism

Thomas Eakins (Met) and the page on his Photography, 1880s-1890s.

Homer, Eakins, and Bellows: American Paintings 1875-1925 at the National Galler of Art

Impressionism

This is a true find: an exhibit of American Impressionists at a place called the Musée d'Art Américain, Giverny, the sister institution to the Terra Museum of American Art in Chicago, where I once worked--alas, now closed. The collection is online at the above link.

The National Gallery's exhibition, American Impressionism and Realism is available here.

New at the NGA: Selected Paintings and Selected Color Prints by Mary Cassatt.

Art in Context offers a substantial number of works by American Impressionists, with clear scans and enlarged views. The pages are currently being worked on, however, so may not be available.

A Crisis of Tradition and the birth of Contemporary Art is a section from the newly designed A World History of Art pages. Scroll down to the nineteenth century.

The Sheldon Memorial Art Gallery at the University of Nebraska owns a substantial number of American Impressionist works.

Childe Hassam, American Impressionist (Met)

Beyond the Easel: Decorative Painting by Bonnard, Vuillard, Denis, and Roussel, 1890–1930 (Met)

Here's an interesting, well-written and illustrated student paper from Princeton on Monet's Water Lilie paintings.

Something I found linked to a blog: Monet and Japan (from the National Gallery of Art in Australia). Choose a topic from the drop-down menu, and compare Monet's works with Japanese prints. The blog in question is Lotusgreen's Japonisme.

Photography

History and Theory

camera obscura this site contains a history of the object/process--and quite a bit more

Snarkout.org's got an interesting article on the history and use of the camera obscura.

Here's a terrific Flash page on Early Photography 1839-1860.


From the Museum of the History of Science at Oxford, here's an online exhibit on Cameras: The Technology of Photographic Imaging. See also the collection of early photographs.

Photography: Processes, Preservation, and Conservation (Met, New York)

The Dawn of Photography: French Daguerreotypes, 1839–1855 (Met) & animated video of the Daguerrotype process.

The Daguerreian Era and Early American Photography on Paper, 1839–1860 from the Met Timeline of Art History.

Here is an online exhibition from UT Austin called The First Photograph

A History of Photography from its beginnings till the 1920s: a page by Dr. Robert Leggat which provides a good quick introduction to the history of photography and photographic processes.

George Eastman House International Museum of Photography and Film: features online exhibits and links to other online collections. See especially the index of checklists available.

Timeline of Photography Hermann Krone’s Historical Didactic Museum of Photography as a model for the history of photographic processes and techniques: a timeline sponsored by SEPIA (Safeguarding European Photographic Images for Access), which includes sample photos along a horizontal axis. Covers from 1836-1896.

Masters of Photography: includes an extensive list of photographers.

The American Museum of Photography contains information on photographic processes and their history.

American Photography: A Century of Images (PBS): a support page for the PBS documentary. It includes a discussion of photography as art, photography and war, among other topics, and an image lab.

Further research: Britain's National Museum of Photography, Film, and Television provides a number of useful resources.

Photographers

The Masters of Photography site linked above has more than enough information to get you started if you want to conduct research on idividual photographers. I've included a couple of special link below, however.


Julia Margaret Cameron's Women, from the San Francisco Museum of Modern Art

Ansel Adams's Manzanar Photographs During World War II, thousands of Japanese Americans were "relocated" to internment camps, primarily in the western portions of the United States. One of these camps, Manzanar, lay outside my home town, Lone Pine, in the Owens River Valley in California. Ansel Adams documented life at Manzanar, and many of his photographs are catalogued on this site. If you're ever in the area, a museum is being set up in the old Manzanar gymnasium, and other photographs are frequently exhibited in the Eastern California Museum in Independence. An aside: the artist Isamu Noguchi, born in Japan of an American mother and the Japanese poet Yone Noguchi, voluntarily joined the camp near Poston, Arizona for seven months, hoping to generate a major art installation--which was never realized.

Binh Danh's Chlorophyll Art Bin Danh is a Vietnamese-born photographer who creates photographs by exposing negative film over plant leaves. This article consists of a profile by NPR's Ketzel Levine (known to fellow gardeners as the "doyenne of dirt"). The images are, quite simply, beautiful.

Essays and further reading

Art and the Semiotics of Images: Three Questions About Visual Meaning by George Dillon, discusses the relationship between language and image.

Nineteenth Century Art Worldwide is an online journal devoted to the topic. It contains authoritative and intresting articles on a variety of subjects; it's also the source of the article on Tanner I linked to the DMA image, Painting the World's Christ: Tanner, Hybridity, and the Blood of the Holy Land by Alan C. Braddock.

Arizona's non-profit Traditional Fine Arts Organization has a resource library with essays about most aspects of American and other art since 1800.